The problem of the cultural crisis in today's information-digital society

The purpose of the paper is to highlight the crisis phenomena that are an integral part of the socio-cultural space and, together with elements of progress towards well-being, form civilizational progress. The crisis of culture has several manifestations, determining its existential and axiological dimensions. The purpose of scientific exploration is to characterize the crisis phenomena in modern culture in the information and digital section. The methodology that most fully reveals the content of the cultural crisis is scientific-philosophical dialectical and synergetic in nature. Consequently, man and society use informatization and digitalization of socio-cultural space as principles, revealing the problematic aspects of cultural development. The formation of innovative sociocultural development strategies, the main task of which is to promptly identify the crisis aspects of culture, should be considered as a novelty. It is the dynamism that is the main practically oriented criterion in the modern scientific and philosophical analysis of the cultural crisis. Conclusion. Thus, the information and digital society has developed the actual value constants of its development, which allow promptly recognizing the cultural processes that are potentially or presently in crisis

The digital evolution of art: current trends in the context of the formation and development of metamodernism

The involvement of gadgets and digital technologies is becoming an increasingly integral part of everyone's personal life and work life. Art has also adapted to the rapid digital evolution and computerization in all creative fields. This trajectory of development provokes a new form and philosophy of artistic development, which is called metamodern. This article examines the theoretical foundations of metamodernism and defines the main provisions of this cultural phenomenon through the prism of the development of digital technologies and the latest means of artistic direction. The main purpose of this research work is the study and in-depth analysis of the formation and development of metamodernist intentions in the modern cultural environment and the definition of the conceptual content of metamodern art. Also, the author of the article determined the purpose of distinguishing metamodernism because of the differences in its essential characteristics from the characteristics of modernism and postmodernism. The methodological approach of the research is the search and theoretical analysis of Ukrainian and foreign sources aimed at studying the phenomenon of metamodernism in view of the digital evolution of art. The author of this article used the method of analysis, cultural-historical, descriptive, comparative and theoretical-literary methods of research. As a result of scientific research, the formation and development of digital art and metamodern art were analyzed. The author also tried to identify the nearest trends in the development of the philosophy of metamodernism in the Ukrainian artistic field